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"Blade Runner" has often proved to be a topic that can set the internet in its highest gears, as became clear once again when Vangelis' assistent producer and sound engineer Frederick Rousseau wrote an article in the blog on his web site about finishing work on a new Vangelis "Blade Runner" project. In no time at all, Blade Runner sites and forums throughout the world started refering to this article and both movie and music fans speculated - sometimes quite wildly - about what this all means.

Here are the details of the current situation, from reliable sources close to Vangelis:

A project is currently in completion that should lead to the release of a new Vangelis album, linked to and inspired by Blade Runner. This may or may not include some music created at the time of the original movie, but the bottom line is: Things have not been finalized. The content, or the format it will be released in may still change or has yet to be decided. There is also - at this point - no schedule for its release.

In short, the good news is that Vangelis has been hard at work, and we have something new to look forward to, especially exciting to everyone who loved Vangelis' Blade Runner music.

More complete information will become available at a later date. You will be able to read it here...

A few new details on Vangelis' expected "Blade Runner Trilogy" release, as more rumors from the music industry are coming in.

The first disk, which is the album as we know it now, contains its usual 12 tracks. The same number of tracks can be heard on the second disk, indicated as "previously unreleased and bonus material", as well as the third disk, with "music composed for Blade Runner's 25th Anniversary". Thus, the complete set contains a total of 36 tracks, 24 of them previously unreleased.

Apparently, it will be packaged in a digipack and includes still photographs from the movie and liner notes by Ridley Scott.

A few details have leaked about the new music (disk 3). It was of course composed, arranged, produced and performed by Vangelis, but reportedly includes guest performances on saxophone on two tracks and a ney (ancient wind instrument) on one track. Furthermore, in line with Blade Runner's multi cultural urban atmosphere, Vangelis has included spoken word, with the help of a range of distinguished actors, directors, and world dignitaries.

The set should be released by Universal Music UK somewhere mid December, simultaneously in both the US and all major European markets.

Official confirmation and more details (track listing, etc) are expected to be released by Universal Music very soon now.

Soundtrack'i ulubione:
Blade Runner -Vangelis
Czas Apokalipsy -różni wykonawcy. Intro filmu z odgłosami śmigłowców, mgłą nad rzeką i eksplozją + muzyka Doors za każdym razem wywołuje u mnie dreszcze.
Requiem for a dream -Clint Mansell
The Falcon and the Snowman -Pat Matheny
Music from Twin Peaks -Angelo Badalamenti

sprawa nabiera pewnych rumieńców...

cytat (dość długi) z innego źródła:

Cytat: Celebrated Greek composer of such films as “Chariots of fire”, “Blade Runner”, “1429 – the conquest of Paradise”, “Alexander”, “Bitter Moon” and the brilliant “Mythodea - Music for the NASA Mission, 2001 Mars Odyssey” finally returns in the film music area after a long absence of two years. Scoremagacine could confirm his assignment on one of the most ambitious projects ever to be launched from Greece. “El Greco” was in pre-production for 7 years and filming will finally begin in the end of August, 2006. The movie is a large European co production between Greece, England, Spain and Italy, with its cast and crew coming from all of the four countries. Greek director and frequent Vangelis collaborator, Yannis Smaragdis (“Kavafi”) will lead the project which will be based on the biographical novel Demetris Siatopoulos wrote on Dominikos Theotokopoulos (El Greco real name), entitled : “El Greco: the painter of God”. British writer Jackie Pavlenko is responsible for the screenplay and the director who can’t reveal the international cast yet, stated that as far as its Greek side is concerned, actors like Lakis Lazopoulos (who will play El Greco close friend, Nikolos the shepherd), G.Michalakopoulos, Dina Konsta and G.Mpezos will participate among others. The movie will follow the life of El Greco when he was 26 years old, just before he left his birthplace, the island of Crete, until the age of 40; his path to the light and God.

hm.
jest mi ciut lepiej, ale wciąż myślę, jak to będzie żeby V. robił drugi raz to samo.

cheers

Cytat: Although final confirmation has yet to come in on this, fans will be glad to hear rumors within the music industry are buzzing frantically about Vangelis' upcoming Blade Runner related release.

It was late in June when word first broke Vangelis had been composing music for a new album related to Blade Runner, but it wasn't yet clear in which way this would be released. Here finally are some details, according to some very excited insiders.

The new release will be a deluxe set, commemorating the 25th anniversary of the Blade Runner movie. Described as a three CD package titled "Blade Runner Trilogy", the set is said to start with the Blade Runner soundtrack as we know it from the official 1994 release. The second disk would present both music from the film not previously released on LP or CD (the notorious bootlegs excepted), as well as music made for the movie at the time, which was neither used nor released in any shape or form. Finally, the third disk would be Vangelis' expected new album, inspired by and thematically linked to Blade Runner.

Personally, I think a lot of people were dreaming about unreleased music from the film finally appearing on CD, while others dreamt of Vangelis returning to the dark melancholic moods played on synthesizers that peeked on the popular Blade Runner soundtrack, by creating new music in the same vein, but I've never heard anyone who dared to openly dream about both of these at the same time... With early word being strongly positive about the results, this could be the answer to what literally everyone has been longing for.

Confirmation and more details expected soon... Expectations are that "Blade Runner Trilogy" will be released in December. Time to start writing those Christmas wish lists...

YEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!

http://www.play.com/Music...earchtype=genre

10.12.2007

EUROPE ’80
A shorter version of “The Ides Of March”, without the solos in the middle.

KILLERS WORLD TOUR 1981
“The Ides Of March” played through the PA.

BEAST ON THE ROAD 1982
The slow intro of “Murders In The Rue Morgue” played through the PA.

WORLD PIECE TOUR 1983
"Main Title" by Ron Goodwin from the OST of the movie "Where Eagles Dare" (1968)

WORLD SLAVERY TOUR 1984
“Churchill's Speech” from The House Of Commons (Dunkirk, June 4th 1940) followed by the slow intro of “Aces High” played through the PA. The voice heard, despite the rumors, belongs to Churchill, and not to actor Norman Shelley

SOMEWHERE ON TOUR 1986
New American Orchestra's version of “Bladerunner Theme” by Vangelis. In 86/87 they used a slightly longer version of the intro for the US leg of the tour. It was followed by the sound of a ticking clock, an explosion and the slow intro of "Caught Somewhere In Time" played through the PA.

SEVENTH TOUR OF A SEVENTH TOUR 1988
"Seven Deadly Sins" from “Moonchild” intro was played through the PA.

NO PRAYER ON THE ROAD 1990
"Main Title" by Ron Goodwin from the OST of the Movie "633 Squadron" (1964).

FEAR OF THE DARK WORLD TOUR 1992
A roll of thunder, followed by an unknown short piece of music.

THE X FACTOUR 1995
No tour intro

VIRTUAL XI WORLD TOUR 1998
"Dance of the Knights" (Scene 2, No 13) from the ballet "Romeo and Juliet" by Sergei Prokofiev (1935/36).

ED-HUNTOUR 1999
Sound of a heartbeat, then “Transylvania” through the PA followed by “Churchill's Speech” from The House Of Commons (Dunkirk, June 4th 1940).

BRAVE NEW WORLD TOUR 2000
Remix of the song "Arthur's Farewell" by Jerry Goldsmith from the OST of the movie "The First Knight" (1995).
Lyrics of the remixed version:

Adorate me, Adorate me, Adorate me, Adorate, Adoraate :| (3 times)
Dominus deus, Dominus noster, Dominus mortus est
Hoc regnum meum est, Hoc regnum meum est
Deus in caelo, Deus in caelooooo

Translation:

|: Adore Me, Adore Me, Adore Me, Adore (God), Adore (God) :| (3 times)
The Lord (is) God, Our Lord, Lord (Arthur) is Dead
This is my Kingdom, This is my Kingdom
God in Heaven, God in Heaven

GIVE ME ‘ED… ‘TILL I’D DEAD WORLD TOUR 2003
UFO's "Doctor, Doctor" followed by the spoken Intro of “The Number of the Beast”.

DANCE OF DEATH WORLD TOUR 2003
UFO's "Doctor, Doctor" followed by “Declamation” by Chris Payne from the movie "Vidocq" (2001) but not on the OST. The lyrics are taken from the "Missa da Requiem"

Confutatis maledictis
Juste judex ultionis
|: Dies irae, eleison
Pie Jesu, (in) domine :|

Translation:

When the accused are confounded
Righteous judge of vengeance
|: Day of wrath, have mercy on us
gentle Lord Jesus :|

THE EARLY YEARS TOUR 2005
The Ides Of March played through the PA

Zaczerpnięte z Maiden Norway

[size=24]Future Sound Of London (FSOL) - Dead Cities (1996) (FLAC-EAC-CUE[/size]

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Future Sound Of London (FSOL) - Dead Cities (1996) (FLAC-EAC-CUE)

Future Sound Of London Biography by allmusic.com.

Biography by Sean Cooper

First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor.

Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually disdain their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their first, heavily dance-oriented LP, Accelerator, followed them into their later work. Usually filed under ambient, that work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions.

The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo's works of the mid- to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots. After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2002 with The Isness, a record heavily influenced by '60s and '70s psychedelia.

CD Pressings Information

Label: Virgin
Catalog#: CDV 2814, 7243 8 42068 2 6
Format: CD, Album
Country: Europe
Released: 1996
Genre: Electronic
Style: Leftfield, IDM, Downtempo, Experimental, Ambient

Credits

Engineer - Yage
Producer, Written-By - Future Sound Of London

Notes

Recorded at Earthbeat Studios, London '96.
Published by Sony Music Publishing.
In jewel case.

Barcode: 7 24384 20682 6
Catalogue number:
7243 8 42068 2 6
UK: CDV2814
F: PM 502
LC3098 Bel/BIEM
Printed in Holland. Made in Holland.

Dead Cities album review from allmusic.com

Review by Ned Raggett

Dead Cities turned out to be the Future Sound of London's bow out from the spotlight -- at least, nothing further was released by them for the rest of the decade and well into the next one. Compared to the crisp approach of Accelerator and Lifeforms' disorienting, surprising exploration into ambient sound, Dead Cities finds the group trying out something new yet again. The theme of the album, thoroughly explored in the art (as always, created by the group itself), seems to be one of futuristic urban decay, almost as if reacting against the perceived otherwordliness of Lifeforms, calmer moments like the acoustic guitar shimmer of "Her Face Forms in Summertime" aside. Hints of cyberpunk fetishism and atmospheres are everywhere, combined with a generally darker sound track for track and more upfront beats on a number of songs. "My Kingdom," a spooky choice for the initial single, blends in low-pitched drones with the echoing shuffle of the main rhythm, suggesting a Japanese city set somewhere in the outback after all the world's power finally ran out. As a further touch, the overall Blade Runner feeling of Dead Cities is heightened even more via the sampling of Mary Hopkin's haunting, wordless vocals from that film's soundtrack. The collage approach that has served the band well over the years recurs time and again -- snippets from unreleased spoken word performances and reworked orchestrations float up and down in the mix, feeling like an unusual sonic tour. That said, two of the strongest moments on Dead Cities -- the amazing single "We Have Explosive" and its semi-remix "Herd Killing," which starts the album -- come from the same source, namely Run-DMC. The brutal guitar stab and accompanying wah-wah and shout, which define both tracks, come from the Tougher Than Leather album, here reshuffled into a brusque, memorable punch with a killer, buzzing bassline.

Track List

Future Sound Of London (FSOL) - Dead Cities (1996)

01. Herd killing 02:37
02. Dead Cities 06:37
03. Her Face Forms In Summertime 05:38
04. We Have Explosive 06:19
05. Everyone in the World Is Doing Something Without Me 04:10
06. My Kingdom * 05:47
07. Antique Toy 02:48
08. Quagmire 05:43
09. In a State of Permanent Abyss 06:57
10. Glass 05:38
11. Yage 07:32
12. Vit Drowning 05:32
13. Through Your Gills I Breathe - First Death In The Family 04:45

Special Note

* = "My Kingdom" (Track 6) contains a sample from "Rachel's Song" which features on the
Vangelis 1994 Blade Runner Soundtrack (Track 4).

ENJOY ..........................................................................

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